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原文：
An angst-powered teen anthem, "Pump Up the Volume" revels ecstatically in the woes of growing up alienated, frustrated and sexually obsessed. There's nothing new about that, of course, except for the progeny who are freaking out -- "the Why-Bother Generation of the Totally Exhausted Decade." Aimed unerringly at its audience, this heartfelt Butterfly Valves drama is as nasty as it wants to be, and as melodramatically overwrought. But then that comes with the turf, that juicy land of save-the-world dreams, glandular insatiability and lots of rock-and-roll. Christian Slater, the Brando du jour, brings plenty of cynicism, swagger and smarts to his starring role. In this teen tour de force, he almost has a one-man show. Slater, the sly delinquent of "Heathers," is now the brazen Hard Harry, a k a Mark Hunter, a shy New Yorker who has recently moved with his sellout parents to Paradise Valley, Ariz. By day he is a mild-mannered, miserable student at Hubert Humphrey High, afraid to speak to girls, friendless, embarrassed by his sensitivity and writing skills. By night he turns megahertz hacker, breaking into the airwaves via a homemade ham radio console. He pours out his soul and plays his favorite tunes ("Wave of Mutilation," "Titanium Expose'"), unaware that his nightly broadcasts are turning him into a cult hero. Hard Harry's witty improvisations, his masturbatory interludes, his obscene call to arms win a devoted and ever-growing audience of the "misunderstood." Engulfed by loneliness himself, he offers his peers understanding and unorthodox advice on everything from gay gang rape to teenage suicide. But mostly he urges the "Why Bother Generation"Globe Valves to get involved. Like Peter Finch in "Network," he is mad as hell and not going to take it anymore. "It" turns out to be an unethical principal who expels students with low test scores from Hubert Humphrey High. The old battle-ax (Annie Ross) weeds out the undesirables -- a pregnant girl, a punk rebel, a Hispanic -- to maximize the school's academic rating. Upon learning of the policy, a supportive English teacher (Ellen Greene) helps the kids expose the ruthless official. At this juncture, the movie, a "Talk Radio" for teenagers, starts to feel more like TV's "The Wonder Years" -- contrived to conclude in a peachy, preachy sentimental teen aphorism. The picture's assorted subplots involve Hard Harry's listeners, the most avid of whom is Nora DeNiro, a poet manque' modeled on songwriter Patti Smith. Nora, played compellingly by Samantha Mathis, falls in love with Hard Harry's delivery. Certain that Harry is an HHH student, Nora relentlessly pursues him, and inevitably they fall in lovePlug Valves -- just a couple of rebels with a common cause. This adventure in tract-home malaise was written and directed by Allan Moyle, that rarity of rarities -- a passionate Canadian filmmaker. The screenplay, which he based on autobiographical experiences, echoes with still-painful memories. He remembers that coming of age hurts, so much sometimes that a kid gives up, writes a note, takes his life. Unlike "Heathers," a satiric treatment of teen suicide, "Pump Up the Volume" is passionately caring. It's a howl from the heart, a relentlessly involving movie that gives a kid every reason to believe that he or she can come of age. It appreciates the pimples and pitfalls of this frightening passage, the transit commonly known as adolescence.
原文来自： http://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/pumpupthevolumerkempley_a0a14d.htm

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译文：
一种焦虑供电青少年的国歌，“向上卷”，醉心于成长的疏离，沮丧和性困扰的悲哀欣喜若狂泵。有什么新的东西这件事，当然，除了后代谁是freaking了 - “是为什么，Bother生成。疲惫不堪的十年”针对观众无误，这表示衷心的戏剧是讨厌，因为它想定和melodramatically过度紧张。但是附带的草皮，即保存，在世界的梦想，腺贪得无厌和大量的岩石和辊多汁的土地。克里斯蒂安斯莱特，大谈特谈的白兰度，带来的玩世不恭，狂妄和智慧足够的主角。在这个少年杰作，他几乎有一人的独角戏。斯莱特，暗地里的“Heathers，”罪犯现在是明目张胆的硬哈利，又名马克亨特，一个害羞的纽约最近谁出卖了他的父母天堂谷，亚利桑那州移动白天他是一个温和的，在休伯特汉弗莱高，不敢说话的女孩，没有朋友，他的敏感和写作技巧的尴尬可怜的学生。到了晚上，他打开兆赫黑客，并通过无线电波打破自制业余无线电控制台。他娓娓道出了他的灵魂和他的（“的残波”，“钛揭发'”），不知道最喜爱的音乐，他每晚的电视节目正在变成一个邪教组织的英雄。硬哈里的风趣的即兴，他手淫穿插，他的色情号召人们拿起武器，尽心尽力，赢得了越来越多的观众的“误解”。他吞没的寂寞，他给他的同行了解，从同性恋轮奸少女自杀一切非正统的意见。但大多数他敦促“何必一代”参与进来。芬奇一样，彼得在“网络，”他是疯的地狱，而不是要定了。 “它”原来是一个不道德的主要谁驱逐从休伯特汉弗莱高级考试成绩低的学生。旧的战斧（安妮罗斯）杂草出不受欢迎 - 怀孕女孩，一个庞克叛乱分子，西班牙 - 最大限度地提高学校的学术评价。当学习的政策，支持英语教师（埃伦格林）有助于孩子们的无情揭露官员。在这个时刻，电影，是“为青少年谈话广播”，开始更象电视的感觉“的奇迹年” - 人为地结束桃色的，说教伤感青少年警句。图片的次要情节涉及各类硬哈利的听众，最热情的人是娜拉德尼罗，诗人manque'的歌手模仿帕蒂史密斯。诺拉，发挥了具有说服力的萨曼莎马西斯与硬哈里的交付爱上。可以肯定，哈里是HHH学生，诺拉坚持不懈地追求他，不可避免地爱上 - 一个共同的事业的叛乱分子只是一对夫妇。这道探险家疲倦的编写和导演艾伦，即稀有罕见莫伊尔 - 一个充满激情的加拿大导演。剧本，他自传的经验的基础上，与仍然回声的痛苦回忆。他记得，在时代的来临伤害，这么多的孩子，有时放弃，写了一份说明，把他的生命。与“Heathers，”青少年自杀的讽刺治疗，“向上卷泵”的热情关怀。这是发自内心呼啸，一个无情的，涉及电影，给孩子充分的理由相信他或她可以来岁。它赞赏丘疹和通过了这个可怕的陷阱，过境俗称称为青春期。